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ARC ON-EAR Review: Hardware Correction System for Accurate Headphone Mixing

The ARC ON-EAR improves headphone mixing with hardware-based correction and spatial simulation for audio professionals.

Mixing audio for video presents unique challenges when using headphones. The IK Multimedia ARC ON-EAR system is designed to address these issues by providing hardware-based correction for headphone frequency responses.

It functions as a standalone DAC and amplifier that works with over 250 supported headphone models. After initial setup through a computer app, the device can operate independently with mobile devices or other playback systems.

Key Features and Capabilities

The ARC ON-EAR system addresses several common limitations of headphone mixing:

  • Frequency Correction: The device applies model-specific frequency correction via hardware, aiming to provide a more neutral sound.
  • Portability: Once set up, the correction is embedded in the device, requiring no active software or continuous computer connection.
  • Spatial Simulation: A “studio mode” introduces subtle time delays between earcups to mimic aspects of speaker-based listening environments.
  • Amplification: It functions as a headphone amplifier, capable of driving high-impedance headphones effectively.
  • Stability: As a hardware-based solution, it avoids some of the software compatibility issues associated with app-based correction tools.

Practical Design and Use

The unit includes a large volume knob, headphone output, and buttons to switch presets and enable studio simulation. Up to five correction presets can be stored. Its app also includes stereo imaging controls and modeling of classic studio monitors like Yamaha NS10s.

Additional tools such as a three-band EQ and EQ tilt allow further customization, though adjustments can potentially introduce phase shifts.

Performance Considerations

In practical testing, headphone mixes processed through the ARC ON-EAR were reported to more closely resemble mixes created on studio monitors.

While the spatial simulation does not replicate real-world room acoustics entirely, it can improve perception for headphone-based mixing. A phase alignment feature is available but may introduce latency, making it more suitable for mixing than video-syncing workflows.

External measurements from independent reviewers, including DMS, suggest that the ARC ON-EAR improves neutrality, especially with open-back headphones. However, it is not a complete substitute for acoustically treated monitoring environments.

Limitations

Some minor limitations include the device not powering off automatically with a connected computer. A sleep timer mitigates this to some extent.

While the build quality is solid and the battery replaceable, the system is best suited to stationary setups unless portability is a priority.

Summary

The ARC ON-EAR provides a hardware-based solution for more consistent headphone mixing by improving frequency accuracy and offering spatial simulation tools.

It is especially relevant for audio professionals and content creators working in mobile or untreated environments who require better mix translation without relying solely on software tools.

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