The Zoom H1 XLR is a new $150 two-channel recorder aimed at creators who want professional connections without breaking the bank. Tested here with a Sennheiser MK50, it offers a surprising range of features for the price, but also some compromises.
Standout Features
- Versatile Inputs: Two locking XLR combo jacks plus a 3.5mm input with 32-bit float support.
- Line Level Option: Handy for recording directly from mixers or DJ boards.
- Accessibility: Voice-over menus make it usable for visually impaired recordists.
- Battery Life: Nearly 10 hours with two AA NiMH batteries and phantom power on.
- Storage & Connectivity: Supports microSDXC cards up to 1TB and doubles as a USB audio interface.
- RF Shielding: Handled wireless transmitters cleanly without interference in testing.
Where It Falls Short
The biggest drawback is the preamp noise floor, which measured around -51 dB RMS Max with the MK50 mic. Competing models like the Zoom F3 achieve closer to -60 dB, making the H1 XLR noisier in quiet environments.
The plastic body, small screen and weak headphone amp also limit usability. Another frustration is the lack of a true gain setting – recordings are locked to 32-bit float with only a basic fader.
Dynamic mics like the Shure SM7B performed especially poorly, with high noise and even DC offset.
The Better Alternative: Zoom F3
For those who can spend closer to $300, the Zoom F3 is the stronger option. It delivers cleaner preamps, a metal chassis, dual outputs (dedicated headphone + camera feed) and even timecode syncing. It’s often discounted, making it a smarter long-term investment.
Final Thoughts
The H1 XLR works best for beginners on a strict budget, or for users who value its accessibility features. But for professional recording, the Zoom F3 remains the better buy.
