The Shure 565SD is a dynamic microphone with history behind it – famously linked to Freddie Mercury – and still popular for live use. Priced around $100, it arrives with a clip, stand adapter, and paperwork. Nothing fancy, but Shure’s focus is clearly on performance.
Build Quality
The mic feels excellent in hand, with a sturdy all-metal body, steel grill, and a lockable on/off switch. Compared to the iconic SM58, the 565SD feels just as tough—if not slightly more refined. Handling noise is minimal, and bumps from a desk or stand are well-controlled.
Sound Profile
The defining trait of the 565SD is its bright, trebly sound. Up close, vocals cut through with clarity, thanks to a controlled low end and boosted upper mids. This makes it excellent for live stages, where singers need to stand out in a mix.
At greater distances, however, the treble boost can become sharp and sibilant, making it less suited for podcasting or spoken word.
Comparisons
Against the Shure SM58 or Sennheiser E835, the 565SD is noticeably brighter. Budget options like the Behringer XM8500 sound duller, while higher-end condensers (Neumann KMS105, Beta 87A) offer smoother detail but at far higher prices. For a stage-focused dynamic mic, the 565SD’s clarity is its strength.
Instrument & Vocal Use
On instruments, results vary. Acoustic and electric guitar can sound glossy or overly sharp, but for close vocal performance, the treble lift flatters most singers.
Verdict
The Shure 565SD isn’t the most versatile studio mic, but it shines in its intended role: a durable, bright stage microphone that helps vocals stay crisp in loud mixes. If you want a classic Shure sound with extra bite—and some rock ’n’ roll pedigree—the 565SD is worth a look.
